Blau, Herbert. Who's There?: Community of the Question PAJ: A Journal of Performance and Art, Vol. 28, No. 2 (May, 2006), pp. 1-12.
Bottoms, Stephen & Gough, Richard, eds. (2009). Performing Literatures. Performing Research, vol 14 issue 1.
Carver, M. Heather. Methodology of the Heart: A Performative Writing Response. Liminalities. vol 3, issue 1 (2007)
Freeman, John. (2007). New performance/new writing. Basingstoke/New York: Palgrave Macmillan.
Goulish, Matthew. (2012). The Brightest Thing in the World: Three Essays from the Institute of Failure, Green Lantern Press.
Heathfield, Adrian. (2015). LIVE: Art and Performance, New York: Routledge.
If I can’t dance: On Performance and Performativity.
Jones, Amelia and Heathfield, Adrian, eds. (2012). Perform, Repeat, Record: Live Art in History, Bristol UK: Intellect.
Moten, Fred. A two part interview
Pelias, Ronald J. (1994), An Autobiographic Ethnography of Performance in Everyday Discourse. Journal of Dramatic Theory and Criticism, 8, 163-172.
Pollock, Della. (1998), Performative Writing, In Peggy Phelan and Jill Lane (eds.), The Ends of Performance. New York: New York University Press. p.73-103.
Schechner, Richard, Tisch School of the Arts, NY. Performance Studies, an Introduction (New York 2006).
Scheer, Ed, ed. (2012). On Performance. vol 17, issue 5.
Sherwood, Kenneth. Sound Written and Sound Breathing: Versions of Palpable Poetics.
Wilson, Mick. 2011. Discourse Dancefloor.
Writings by John Hall:
'Sentenced to' in Performance Research Vol 1, No 1 (Spring 1996) pp. 98-102.
'Writing and Not Writing-', in Poets on Writing, Britain 1970-1991, ed. Denise Riley (Basingstoke: Macmillan, 1991) pp. 41-49.
'Performed through', in Performance Research Vol 2, No 1, (Spring 1997) pp. 68-72.
'Missing persons: personal pronouns in performance writing', in Performance Research Vol 3, No 1 (Spring 1998) pp. 87-90.
'Eluded Readings: trying to tell stories about reading some recent poems', in The Gig 15 (September 2003) pp.35-54 (Given as paper at Birkbeck University of London)
'Falling towards each other: occasions of elegy', in The Paper, Issue 5 (October 2002) pp. 36-46; republished in Necessary Steps: poetry, elegy, walking, spirit ed. David Kennedy (Exeter: Shearsman, 2007) , pp. 37-48.
Time-play-space: playing up the visual in writing', in Pores Issue 3: An Avant-gardist Journal of Poetics Research (March 2004)
'Reading (Illegible) Pages', in 'On the Page' issue of Performance Research Journal, Vol 9, No 2 (June 2004), pp. 15-23
'Reading a Polished Page', in 'On the Page' issue of Performance Research Journal, Vol 9, No 2, p.92 (June 2004) and in Performance Research / Liquid Press DVD supplement to this issue
'As a', a contribution after the event to a Forum on Women Writers, in Readings 2 (eds. Piers Hugill, Aodhán McCardle, & Stephen Mooney), 2005.
'Performance Writing'; entry in 'A Lexicon' issue of Performance Research Vol 11, No 3, (September 2006), pp. 89-91.
‘Five minutes on Poetry and Public Language, the topic and the book so named’, in Part 1: Poetry and Public Language feature (ed. Tony Lopez), Pores 5, ed. Will Rowe, 2008.
'Do Not Ignore: Order-words in domestic and public spaces' in Etysis 3 (Helsinki), pp. 8-13, September 2010.
Included in Certain Prose of the English Intelligencer, edited by Neil Pattison, Reitha Pattison and Luke Roberts (Cambridge: Mountain Press, 2012).
'Foot, mouth and ear: some thoughts on prosody and performance' in 'On Foot' issue of Performance Research Journal, Vol 17, No 2 (April 2012), pp. 36-41.